In Wayward Lives, Beautiful Experiments, Saidiya Hartman examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.
In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.
Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires.
“A masterpiece…The wayward lives and beautiful experiments in which Hartman is interested can only be described…by joining the experiment, by engaging in its hard-won freedoms, its autonomous profligacies, its shifting directions…A truly great and groundbreaking book.” —Fred Moten, coauthor of The Undercommons and author of The Feel Trio
“Ambitious, original…a beautiful experiment in its own right.” —Maggie Nelson, author of The Argonauts
“A startling, dazzling act of resurrection…Hartman has granted these forgotten, ‘wayward’ women a new life…[She] challenges us to see, finally, who they really were: beautiful, complex, and multidimensional—whole people—who dared to live by their own rules, somehow making a way out of no way at all.” —Michelle Alexander, author of The New Jim Crow