Josh MacPhee presents "An Encyclopedia of Political Record Labels"

Wednesday October 16, 7:00PM

@ Red Emma's

Join us as we welcome Josh MacPhee, founding member of both the Justseeds Artists’ Cooperative and Interference Archive, for a presentation of his new book An Encyclopedia of Political Record Labels, a collection of information about political music and radical cultural production. Focusing on vinyl records, and the labels that produced them, this groundbreaking book traces the parallel rise of social movements in the second half of the twentieth century and the vinyl record as the dominant form of music distribution. Josh will be spinning selected cuts from labels included in the book as part of the talk! 

In addition to its function as a record label reference guide, An Encyclopedia of Political Record Labels operates as an historical exploration of the relationship between revolutionary politics and the vinyl record. Just as the Civil Rights Movement leaps onto mainstream headlines in the early 1960s, the 33rpm “Long Player” and 45rpm single invade people’s stereos. All the major Civil Rights organizations release vinyl records of speeches, movement songs, and field recordings—setting the pace for the intertwining of social movements and easily distributed sound recordings. This relationship continues through the end of the twentieth century, which marked both the end of apartheid in South Africa and the dominance of the vinyl format.

From A-Disc (the record label of the Swedish Labor Movement) to Zulu Records (the label of free jazz pioneer Phil Choran), An Encyclopedia of Political Record Labels is a compelling panorama of political sound and action, including over 750 record labels that produced political music. Each entry features the logo of the label, a brief synopsis of its history, and additional interesting information. Truly international in scope, over two dozen countries and territories are represented, as well as a myriad of musical styles and forms.

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In this book, Ashanté M. Reese makes clear the structural forces that determine food access in urban areas, highlighting Black residents’ navigation of and resistance to unequal food distribution systems. Linking these local food issues to the national problem of systemic racism, Reese examines the history of the majority-Black Deanwood neighborhood of Washington, D.C. Based on extensive ethnographic fieldwork, Reese not only documents racism and residential segregation in the nation’s capital but also tracks the ways transnational food corporations have shaped food availability. By connecting community members’ stories to the larger issues of racism and gentrification, Reese shows there are hundreds of Deanwoods across the country.

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@ Red Emma's

With a special acoustic set by Rwanda's The Good Ones!  

Popular culture has woven itself into the social fabric of our lives, penetrating people’s homes and haunting their psyches through images and earworm hooks. Justice, at most levels, is something the average citizen may have little influence upon, leaving us feeling helpless and complacent. But pop music is a neglected arena where concrete change can occur—by exercising active and thoughtful choices to reject the low-hanging, omnipresent corporate fruit, we begin to rebalance the world, one engaged listener at a time.

Silenced by Sound: The Music Meritocracy Myth is a powerful exploration of the challenges facing art, music, and media in the digital era. With his fifth book, producer, activist, and author Ian Brennan delves deep into his personal story to address the inequity of distribution in the arts globally. Brennan challenges music industry tycoons by skillfully demonstrating that there are millions of talented people around the world far more gifted than the superstars for whom billions of dollars are spent to promote the delusion that they have been blessed with unique genius.

We are invited to accompany the author on his travels, finding and recording music from some of the world’s most marginalized peoples. In the breathtaking range of this book, our preconceived notions of art are challenged by musicians from South Sudan to Kosovo, as Brennan lucidly details his experiences recording music by the Tanzania Albinism Collective, the Zomba Prison Project, a “witch camp” in Ghana, the Vietnamese war veterans of Hanoi Masters, the Malawi Mouse Boys, the Canary Island whistlers, genocide survivors in both Cambodia and Rwanda, and more.

Silenced by Sound is defined by muscular, terse, and poetic verse, and a nonlinear format rife with how-to tips and anecdotes. The narrative is driven and made corporeal via the author’s ongoing field-recording chronicles, his memoir-like reveries, and the striking photographs that accompany these projects.

After reading it, you’ll never hear quite the same again.



With Reverend Alvin C. Hathaway, Sr. of Union Baptist Church!

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Local Control uses the story of writer Karl Hess to propose a field of interaction between Ayn Rand, Emma Goldman, Rush Limbaugh, Abby Hoffman, Studs Terkel, Benito Mussolini, Ken Kesey, Robert Heinlein, Bob Dylan and The Black Panther Party. A former corporate consultant and speechwriter for Barry Goldwater, Karl Hess later joined the ranks of Students for a Democratic Society. He wrote speeches for New Left groups of the 1960s before beginning to advocate for urban agriculture and community technology, and later becoming a founding figure amongst Libertarians and survivalists. Throughout it all he promoted ideas of self-sufficiency and localism.

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In a time where our map of ideas has been turned on its head, this mediation on individualism and collectivism considers conventional categories of Right and Left while introducing surprising new ones to help us to consider where we are now.



From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

From the Cold War through today, the U.S. has quietly assisted dozens of regimes around the world in suppressing civil unrest and securing the conditions for the smooth operation of capitalism. Casting a new light on American empire, Badges Without Borders shows, for the first time, that the very same people charged with global counterinsurgency also militarized American policing at home.

In this groundbreaking exposé, Stuart Schrader shows how the United States projected imperial power overseas through police training and technical assistance—and how this effort reverberated to shape the policing of city streets at home. Examining diverse records, from recently declassified national security and intelligence materials to police textbooks and professional magazines, Schrader reveals how U.S. police leaders envisioned the beat to be as wide as the globe and worked to put everyday policing at the core of the Cold War project of counterinsurgency. A “smoking gun” book, Badges without Borders offers a new account of the War on Crime, “law and order” politics, and global counterinsurgency, revealing the connections between foreign and domestic racial control.



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Gillen argues that this is a proactive political, economic, and educational structure that builds relationships among and between students and their communities. It’s a structure that meets communal needs—material and social, economic and political—both now and in the future. Through the story of the Baltimore Algebra Project, readers will learn why youth employment is a priority, how to develop democratic norms and cultures, how to foster positive community roles for 20–30 year-olds, and how to implement educational accountability from below.

What does it mean to lose your roots—within your culture, within your family—and what happens when you find them?

Nicole Chung was born severely premature in the United States, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. From childhood, she heard the story of her adoption as a comforting, prepackaged myth. She believed that her biological parents had made the ultimate sacrifice in the hope of giving her a better life, that forever feeling slightly out of place was her fate as a transracial adoptee. But as Nicole grew up—facing prejudice her adoptive family couldn’t see, finding her identity as an Asian American and as a writer, becoming ever more curious about where she came from—she wondered if the story she’d been told was the whole truth.

With the same warmth, candor, and startling insight that has made her a beloved voice, Chung tells of her search for the people who gave her up, which coincided with the birth of her own child. All You Can Ever Know is a profound, moving chronicle of surprising connections and the repercussions of unearthing painful family secrets—vital reading for anyone who has ever struggled to figure out where they belong.

“This book moved me to my very core. As in all her writing, Nicole Chung speaks eloquently and honestly about her own personal story, then widens her aperture to illuminate all of us. All You Can Ever Know is full of insights on race, motherhood, and family of all kinds, but what sets it apart is the compassion Chung brings to every facet of her search for identity and every person portrayed in these pages. This book should be required reading for anyone who has ever had, wanted, or found a family―which is to say, everyone.” ―Celeste Ng, author of Little Fires Everywhere

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