Nicolas Lampert: A People's Art History of the United States

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Thursday, January 9th 2014
7:40 pm
Red Emma's
When artists join social movements, they become agitators in the best sense of the word, and their art becomes less about the individual and more about the common vision and aspirations of many. Their art challenges power and becomes part of a culture of resistance. Join artist and agitator Nicolas Lampert as we discuss his new book, A People's Art History of the United States​, just out this winter from The New Press.

Most people outside of the art world view art as something that is foreign to their experiences and everyday lives. In a brilliant new addition to The New Press People’s History series, A People’s Art History of the United States places art history squarely in the rough-and-tumble of politics, social struggles, and the fight for justice from the colonial era through the present day. In doing so, it presents a provocative and fascinating alternative art history that shows us how activist art often emerges from the streets and social movements – and communities that produced these movements – and exists far beyond the confines of traditional art institutions.

Combining historical sweep with detailed examinations of individual artists and their work, author and artist Nicolas Lampert offers a groundbreaking history of radical art. With over two hundred images, A People’s Art History of the United States offers a politically charged narrative that spans the conquest of the Americas, the American Revolution, slavery and abolition, feminism, the civil rights movements, and the contemporary antiwar movement, among others.

Through dramatic retellings of important historical events, readers will be introduced to key works of American radical art, including the graphic agitation of the abolitionist movement, photographs of the Lower East Side housing conditions, the Haymarket monument controversy, the WPA-Federal Art Project, Gran Fury and ACT UP NYC, the Yes Men, and more. A People’s Art History of the United States is nothing less than a vital alternative education for anyone interested in the powerful role that visual culture plays in our society – and in the ongoing culture of resistance.

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