Red Emma’s

There are moments in our lives when we discover an artist, an album, a film, or a cultural artifact that leaves a lasting impression. These moments inform how we understand the world, and ourselves, moving forward.

In a time when music is spurring Black Americans’ connection with Africans on the Continent, culture critic Lawrence Burney takes us on a journey from the streets of Baltimore to the concert halls of Lagos, reminisces on seeing his mother perform as the opening act of a Gil Scott-Heron show when he was a child, and sits at a Maryland crab feast with family, assessing how the Black people in his home state have historically improvised paths for their liberation. Burney explores these profound interactions with incisive and energizing prose, offering us a personal and critical perspective on the people, places, music, and art that transformed him.

No Sense in Wishing _is a kaleidoscopic exploration of Burney’s search for self. With its gutsy and uncompromising criticism alongside intimate personal storytelling, this “powerful collection of essays” (_Rolling Stone) is like an album that hits all the right notes, from a promising writer on the rise.

Lawrence Burney is a writer, critic, and the founder of True Laurels, an independent magazine covering Baltimore’s music and culture scene. His work has appeared in publications such as New York magazine, GQ, and Pitchfork. He has also worked at The Fader, VICE, and The Baltimore Banner. No Sense in Wishing is his first book. Follow him on Instagram and X @TrueLaurels.

Doreen St. Félix is a staff writer and critic at The New Yorker. She is a recipient of the National Magazine Award for Criticism. She has lectured and led workshops at the University of Berkeley, Yale, Columbia, and others. She is at work on a book.